DONALD A. HUTSLAR
The Ohio Farmstead: Farm Buildings
as Cultural Artifacts
Ohio's rural landscape, though
dwindling, constitutes a signifi-
cant area of the state, some 17 million
acres, largely in the central
and western counties.1 However, Ohio's
agrarian past is still evident
in the urban centers where an occasional
farm building remains
on-site, often adapted to some
commercial use such as a dairy store
or carry-out-an ignominious end at best.
The barn, in particular, has become a
romantic symbol, another in
a long tradition of such symbols which
have become fashionable in
the United States. The cult of the barn
has become so strong that
several firms in the New England area
offer original barn frames for
conversion to dwellings; in fact, one
firm advertised newly manufac-
tured barn frames suitable for houses,
an anomaly perhaps better
interpreted by a psychiatrist than a
historian.2 Romance (defined
here as the imaginative or emotional
appeal of the heroic, adventur-
ous, remote, or idealized) has drawn
other architectural forms such
as water-powered gristmills and covered
bridges, and more recently
opera houses and log buildings, into its
camp. American printmak-
ers, such as the Currier and Ives
company, profited from a current of
romance, nostalgia, and sentiment from
the 1840s into the twen-
tieth century. Their lithographs
reflected a yearning for the "old
homestead," the rural countryside,
from which so many members of
the newly urbanized, industrialized
society had recently departed.3
Donald A. Hutslar is Curator of History,
the Ohio Historical Society.
1. Ohio Crop Reporting Service, United
States Department of Agriculture, Ohio
Agricultural Statistics, 1977 (Columbus, June, 1978), 6.
2. For professional literature on the
subject, see Mildred F. Schmertz, "Upgrading
Barns to be Inhabited by People," Architectural
Record, 115 (June, 1974), 117-22.
3. The allure of cultural artifacts
often becomes difficult to explain even in terms
of romance or nostalgia. For example,
can the present interest in Ohio canals be
classified as "roomantic hydraulic
engineering"? What are the artifacts? Canal beds,
aquaducts, and bridges have been
proposed for the National Register of Historic
Places, but the most important relics,
the original canal boats, no longer exist. A
222 OHIO HISTORY
A desire to return to the supposedly
simpler life-style of the past
demands its symbolism, whether today or
in the nineteenth century.
In Ohio and the Northwest Territory, the
round-log cabin became a
symbol of the settlement period to
persons old enough to remember
the "good old days." Such a
song as "The Log House,"published in
1826,4 was a precursor of the
log cabin songs of William Henry
Harrison's 1840 presidential campaign.
It is interesting to consider
that in 1840 the log cabin was both
symbolic and functional, depend-
ing upon where one lived. Today, the
barn occupies a similar dichot-
omous position in society; it is still a
necessity on many, though not
all, farms, but is regarded as a quaint
anachronism when found in
urban districts. There is an apparent
ignorance of the actual func-
tions of a barn, other than that it has
a haymow and stalls for
animals; in fact, the functions of the
nineteenth-century barn are
now largely unknown even to the rural
population.
Until the general adoption of harvesting
equipment in Ohio dur-
ing the 1850s, the two basic barn
designs - English and German -
had remained relatively unchanged for at
least 200 years, varying
only in exterior surface treatment or
size, depending upon the ex-
perience of the builder, the laborers
and construction materials
available, and the amount of arable land
and number of animals
maintained by the farmer.5
For all practical purposes, the barn was
an implement just as a
scythe or pitchfork; an implement of
heroic proportions, to be sure,
but as carefully designed to complement
the labor necessary in har-
vesting and storage as any hand-tool.
The interior spatial designs
originated in the British Isles and
Northern Europe, and were
brought to the middle American colonies
by the Germans and
Scotch-Irish, the pioneers on the
frontier. No unusual structural
alterations were required during the
settlement of Ohio, because
crop varieties were essentially the same
in the states immediately
east and south. However, New England
immigrants carried their
own barn design to northeastern Ohio, a
structure modified to dairy
similar situation involves the iron
furnaces of southeastern Ohio, of which only a few
derelict stone furnace stacks remain.
Admitting the point is obvious, the foregoing
examples do indicate that there are cultural artifacts
of broad romantic appeal, such
as the barn or mill, as well as
artifacts appealing to specific interest groups or
individuals.
4. "The Log House, A Song,
presented to the Western Minstrel, by John Mills
Brown. No. 19, Of the Sylviad, A.P.
Heinrich, To His Log House," Boston, March
14th, 1826. (Sheet music.)
5. These structures are well-defined in
Eric Arthur and Dudley Witney, The Barn
(Boston, 1972).
The Ohio Farmstead 223
rather than general farming. There is
still a distinct difference be-
tween the rural architecture of the
Connecticut Western Reserve
and the Mennonite/Amish settlements
south of the boundary along
Wayne and Stark counties, though the
dairy industry has since
shifted to the latter district.
The barns and outbuildings of late
eighteenth and early
nineteenth-century Ohio farmsteads were
a natural outgrowth of
three factors: (1) the specific
topography and geology of the indi-
vidual farms, which could dictate
structural configuration; (2) the
ethnic or environmental background of
the farmers (as reflected
through the barn-builders); and, (3)
the type of farming practiced,
whether general farms of mixed crops
and livestock or specialty
farms of a single crop or animal,
definitely determined the interior
spatial configuration of the barns and
the number of supportive
outbuildings.6
The majority of initial settlement
farms, which could date from
1788 to the mid-1850s, depending on the
area of the state, had small
field sizes because of the difficulties
of clearing, tilling, and harvest-
ing with a limited labor force and few
implements. On the other
hand, Ohio farmers never seriously
suffered from a lack of markets
or transportation for their surplus: the military
campaigns of the
Indian Wars of the 1790s; the War of
1812 and the following rush of
settlement; the availability of river and
lake transport; the quick
development of urban and industrial
centers; and the development
of canals and railroads in the second
quarter of the nineteeth cen-
tury gave most farmers adequate
markets. Pork production in
southwestern Ohio, with Cincinnati or
"Porkapolis" as its center,
and the dairy industry in northeastern
Ohio, with Cleveland as its
terminus, are examples of agricultural
specialization made possible
by the transportation facilities
developed between the War of 1812
and the Mexican War.7
The geography of the Ohio Country was
known prior to the settle-
ment of the area. By the mid-eighteenth
century, with the opening
of the fur trade to the English, the
region was being explored for its
agricultural and industrial potential
by the Ohio Land Company.
Prior to the Revolutionary War, the
Moravians, as well as indi-
6. Henry Glassie, "The Barns of
Appalachia," Mountain Life and Work, XL (1965),
21-30. Also see Glassie's, Pattern in
the Material Folk Culture of the Eastern United
States (Philadelphia, 1968).
7. The development of intrastate
transportation, particularly the canals, and its
impact on Ohio's economy during the
period 1820-61 is the subject of Harry N.
Scheiber, Ohio Canal Era (Athens,
Ohio, 1969).
224 OHIO HISTORY |
|
vidual missionaries, were active among the Indians in the eastern half of the state. During the war, meat hunters, squatters, fugitives, soldiers, and militiamen made incursions throughout the future state. Following the war, the quick settlement of the Great Miami River Valley was due to the return of a large number of Kentucky militiamen who had served in campaigns to the Indian villages in the region which later included Greene, Clark, Logan, and Miami counties.8 A similar process of settlement occurred in eastern Ohio in the area of Columbiana, Jefferson, and Belmont counties, Belmont being the home of William Hogland who was elected governor "West of the Ohio" by 1787 by the squatters living illegally in the territory.9 Regardless of motive, this rapid immigration to the Ohio Country indicates that the settlers knew the territory was geog- raphically suited to the same farming operations which they were accustomed to in the eastern states, and, as a corollary, the same
8. Most of the information was probably word-of-mouth, although many indi- viduals did publish their journals. A typical example is David Jones, A Journal of Two Visits Made to Some Nations of Indians on the West Side of the River Ohio, in the Years 1772 and 1773 (Burlington, N.J., 1774). John Heckewelder, Narrative of the Mission of the United Brethren Among the Delaware and Mohegan Indians (Phil- adelphia, 1820) gives the flavor of the missionaries' work on the Ohio frontier. A good military narrative is "Bowman's Expedition Against Chillicothe, May-June, 1779," Ohio Archaelogical and Historical Quarterly, XIX (1910), 446-59. 9. Randolph C. Downes, "Ohio's Squatter Governor: William Hogland of Hoglands- town," Ohio Archaelogical and Historical Quarterly, XLIII (1934), 273-82. |
The Ohio Farmstead 225
type of farm buildings. Specific crop
varieties were soon sought to
meet local climate and soil conditions;
just as today, wheat and corn
were the mainstays.
Ohio displays some interesting
topographic settlement patterns
due to the different methods of survey
and sale of the land over an
extended period of time.10 At
one extreme is the Virginia Military
District with its indiscriminate metes
and bounds surveys. This
area, located between the Scioto and
Little Miami rivers northward
to the Greenville Treaty Line, was
reserved for Virginia veterans of
the Revolutionary War and the French and
Indian War. Acreage
granted, varying from 100 to 15,000
acres, was determined by mili-
tary rank and length of service. The
shapes of the tracts were unre-
stricted, thus creating many irregularly
shaped farms whose con-
figurations were often determined by
topographic features such as
hill, stream, and swamp margins. As
might be expected, farm build-
ings were usually sited with regard to
the peculiarities of the land-
scape, taking advantage of streams,
springs, and hillsides for water
supply, drainage, and protection from
winter winds.
The relaxed, meandering nature of the
landscape created by the
Virginians, however legally confusing,
can be contrasted with the
formal landscape of the Connecticut
Western Reserve. Though there
were inaccurate boundary and interior
surveys, the New England
proprietors laid out the five-mile
square townships and roads as
geometrically correct as possible. The
Greek Revival architecture of
the Western Reserve was as formal and
inflexible as the "lots"
themselves. Farm buildings seldom
nestled into the countryside;
instead, they bravely faced the
elements.
"The "Congress Lands,"
under the jurisdiction of several federal
land offices, composed the major portion
of the saleable land in Ohio.
The land was surveyed on a grid system
of six-mile square
townships composed of thirty-six
sections (unless reduced by topo-
graphic features). Each one-mile square
section contained 640 acres;
a one-family farm was generally
considered to be a quarter-section,
or 160 acres, which is little different
from today's average farm of
about 155 acres.11
These various methods of land division
were a major factor in
10. Several good books are available on
the survey of Ohio. C.W. Sherman, Origi-
nal Land Subdivisions, Volume III of the Final Report of the Ohio Cooperative
Topo
graphic Survey, 1925, is a standard. A
recent work is William D. Pattison, Begin-
nings of the American Rectangular
Land Survey System, 1784-1800 (Columbus,
Ohio,
1970).
11. Ohio Agricultural Statistics, 6.
228 OHIO HISTORY |
determining both the configuration and size of farms in the nineteenth century and the pattern of today's rural landscapes. The difference between the farms of the Virginia Military District and the Congress Lands is quite apparent in counties divided by the Scioto River, such as Franklin, Pickaway, Ross, Pike, and Scioto, as any outline map will show. If the personal character of the settlers marked the landscapes of the Virginia and New England districts, the same can be said of other areas which were settled by immi- grants from eastern states or foreign countries. |
The Ohio Farmstead 229 |
|
Today, while field patterns are often difficult to detect from public roads, farm buildings are usually visible and can serve to identify the initial residents of the land. The so-called Pennsylvania-Dutch influence, best reflected in large stone-gabled bank barns, is occa- sionally seen in Ohio but not as frequently as suggested in commer- cial advertising. The bank barn was adapted to a hilly or rolling countryside which allowed on-grade access to the first and second floors. The Mennonite/Amish evolved their own style of barn, a large braced-frame structure with an L or T extension at the rear, usually banked, which today is most prevalent in Holmes, Wayne, Stark, and Tuscarawas counties. However, members of the sects in Union and Madison counties do not display the same idiosyncrasies. |
230 OHIO HISTORY
The German Roman Catholics of Shelby,
Darke, Mercer, and Au-
glaize counties, many of whom immigrated
in the 1830s to work on
the Miami Extension Canal, replaced
their own log settlement
barns during the fourth quarter of the
nineteeth century with large
braced-frame barns inspired by the
agricultural literature of the
period. Neighboring the Germans
immediately to the south in
Darke and Miami counties are French
Roman Catholics, whose
ancestors immigrated in the late 1840s
and early '50s. In the pres-
ent age of agribusiness, these families
have retained their relative-
ly small nineteenth-century farms, which
range from 80 to 160
acres, and correspondingly small
three-and four-bay braced-frame
barns.
Southeastern Ohio was never suited for
large-scale crop farming
because of the hilly terrain, though
several river valleys have excel-
lent land, but small general farms were
common. Many of the resi-
dents worked at subsistence farming and
at one of the iron furnaces
or coal mines; industrial wages were
seldom sufficient to support
families. One-room log and braced-frame
barns are still in use, as
well as some well constructed double-pen
and braced-frame bank
barns in the prosperous valleys. In
addition, there are many tall
tobacco houses, both log and frame, once
used for heat-curing tobac-
co, a method no longer practiced in
Ohio. Northwestern Ohio was
opened to farming by extensive ditch and
tile drainage and the
Miami-Erie Canal during the second and
third quarters of the
nineteenth century. Farms were (and are)
devoted to wheat and
soybeans and market vegetables. The
barns are large multi-bay
braced-frame structures, and reflect the
eclecticism in design
brought about by the national
agricultural press during the second
half of the century.12
Southwestern Ohio, comprising most of
the Virginia Military Dis-
trict, "Symmes' Purchase"
between the Miami rivers, and some Con-
gress Lands, has the greatest variety of
barn designs and construc-
tion techniques due to the broad ethnic
background of those who
settled in the region, and a sound
economy throughout the
nineteenth century which allowed farmers
to improve old or con-
struct new buildings as needed. There
are many barns dating from
12. The agricultural press was a
significant force in amalgamating the diverse
sectionalism and foreign elements in
American agriculture. The first important
periodical in Ohio was the Ohio Cultivator,
published in Columbus beginning in
1845. An important compilation such as Barn
Plans and Outbuildings (New York,
1881) was the outgrowth of the national
periodical, the American Agriculturist, pub-
lished by Orange Judd.
The Ohio Farmstead 231
the first quarter of the century. Among
the various designs that can
be found in the region are double-pen
log barns and three-bay
braced-frame bank barns, stone gabled
Pennsylvania-style bank
barns, four-and five-bay braced-frame
barns, a few octagon barns,
and, for the twentieth century,
balloon-framed, brick, and tile barns
which often look more like industrial
buildings than farm struc-
tures.
An asymetrical entrance, four-bay barn
is most typical of this
section of the state. This design,
simply an enlargement of the En-
glish-style three-bay barn, allocates an
extra bay beside the en-
trance for an integrated two-bay dairy
or stanchion and box-stall
area. (Once common in the Western
Reserve, these barns, featuring
the square silos peculiar to this area
and dating from the last decade
or so of the nineteeth century, are
still in existence.)
The ancient Saxon combined barn and house,13
with the family
and livestock housed on the same level,
and the Swiss or Southern
German form (the so-called
"Sweitzer" barn14), with living quarters
above the livestock, must be considered
so rare in Ohio-as pur-
posefully chosen designs-to be nothing
but anachronisms. No
doubt many settlers shared temporary
quarters with their livestock
when first moving to the frontier, for
such arrangements are occa-
sionally mentioned in Ohio county
histories; but from an
architectural viewpoint, such folklore
is suspect. Historian Henry
Howe pictures a Swiss house in
Columbiana County simply because
such architecture was unusual in Ohio.15
Since a few Swiss-style
houses were constructed, it is entirely
possible the house-barn de-
sign was also utilized. No examples,
however, are known.
Historically, the three-bay barn is the
most interesting configura-
tion found in Ohio. This design dates
at least to the seventeenth
century and owes its popularity as much
to the requirements of the
single-family frontier farmstead of
North America as to English or
North European farming practices. By the
late eighteenth century
13. In Arthur and Witney, The Barn, the
authors discuss the Saxon barn, with its
church-nave interior and family living quarters, and
its alteration to a purely farm
structure in North America. George E.
Burcaw, The Saxon House (Moscow, Idaho,
1973), is a look at the living quarters
as they separated from the barn cum house.
Peter Kalm, a Swedish naturalist
traveling in the American colonies in 1748-51,
described the Dutch barn as the dominant
style between Trenton and New York City,
the "Dutch barn" being a
direct descendant of the Saxon barn: Travels in North
America, 2
vols. (New York, 1966, reprint of 1770 English version), vol. 1, 118-19.
14. Type F or G, according to Charles H.
Dornbusch's summary of styles in Penn-
sylvania German Barns (Allentown, Pennsylvania, 1958).
15. Henry Howe, Historical
Collections of Ohio (Cincinnati, 1848), 108. This writer
has seen photographs of a similar house
in Switzerland Township, Monroe County.
232 OHIO HISTORY
the three-bay barn had received an
official recommendation from
the British government and had been
described in builders' books
such as The Carpenter's Pocket
Directory by William Pain and, early
in the nineteenth century, Abraham Rees'
Cyclopaedia.16 Known
today as the "English" barn,
the design became as standard to the
ever-advancing frontier as the log cabin
and was as conveniently
constructed of logs as it was of mortised
posts and beams-the
"braced-frame" technique.
William C. Howells, a prominent Ohio
newspaper editor and
father of William Dean Howells,
described a three-bay, double-pen
barn built by his family in Jefferson
County shortly after the War of
1812:
This summer we also built a barn of logs
.... There were two pens put up
twenty-four feet apart, and raised on
one foundation .... They were in this
way carried up to a proper height, when
they were connected by logs and a
common roof. This made a double barn,
with stabling and more room at
each end, and a barn floor and
wagon-shed in the middle. Such was the
universal style of barns in that country
....
The settlers were mainly from western
Pennsylvania, though many had
come in from the western part of Maryland
and Virginia, and the prevailing
nationality was the Scotch-Irish of the
second generation ... .17
An interesting cultural interchange
occurred during the expan-
sion of the western frontier in the
eighteenth century. The Scotch-
Irish, who had no tradition of log
construction, learned the tech-
nique from colonists of Central European
background; the interior
arrangement of their houses and the
adherence to open fireplaces,
however, remained traditional to the
British Isles. The northern
Germans, on the other hand, rather than
adopting the Saxon barn
as it evolved in the Netherlands and
the Hudson Valley, with its
naves and gable entrance, constructed a
log version of the English
three-bay barn. In practical terms, log
construction was the quickest
16. William Pain, The Carpenter's
Pocket Directory (Philadelphia, 1797) was a
very influential builder's book. Abraham
Rees, The Cyclopaedia: or, Universal Dic-
tionary of Arts, Sciences, and
Literature, was noted by the
Englishman Henry Brad-
shaw Fearon when in Boston during his
American tour in 1817; Fearon said it was an
American edition. See Fearon, Sketches
of America (London, 1818), 105. Rees' Cyclo-
paedia, first published in England, was an important source of
technological informa-
tion on both sides of the Atlantic, and
contained forty plates of illustrations as well as
a lengthy text on barns and various
agricultural matters.
17. William Cooper Howells, Recollections
of Life In Ohio, from 1813 to 1840 (Cin-
cinnati, 1895), 118-19. An identical
barn was described in Highland County before
the War of 1812. See Daniel Scott, A
History of the Early Settlement of Highland
County, Ohio (Hillsborough, Ohio, 1890), 148-49.
The Ohio Farmstead 233
and easiest frontier building technique,
and the English-style barn
was best suited to the construction
methods available as well as the
exegencies of frontier farming.18
In constructing the three-bay log barn,
two log pens were raised,
separated by a space equal to the width
of one wall; a single roof
spanned the entire length of the two
pens, creating three distinct
work and storage areas. The structure
was spatially suited to the
manual labor of frontier farming or to
the small, non-mechanized
farm, regardless of period. One pen was
usually divided into stalls
for oxen or work horses; normally, a
haymow occupied the space
above the stalls. In Ohio, the entire
opposite pen almost always
served as a haymow; in a few exceptions,
dairy stanchions appear.19
Such was the case even in New England
three-bay, braced-frame
barns, according to a Massachusetts
historian:
On one side of the threshing floor of
the barn were the stables for the horses
and cattle and upon the other the great
haymow. On the scaffold over the
stables [haymow] the "horse
hay" was garnered, and upon the "little scaf-
fold" over the far end of the barn
floor [overbay] were nicely piled the bound
sheaves of wheat, rye or barley ... 20
The open, central space between the
pens, besides providing access
to the haymows, was used for threshing
and winnowing grain and
general chores. Until the mid-nineteenth
century, practically all
Ohio barns were aligned with their main
doors on an east-west axis
to allow the prevailing westerly winds
to blow through the "breeze-
way" and hopefully carry away the
dust and chaff of the winnowing.
Logs placed between the pens above the
breezeway formed an "over-
bay," where unthreshed sheaves of
cereal grains (usually wheat)
could be stored.
Threshing with a flail was slow work. In
a full working day of
twelve hours, the average farmer could
thresh about five bushels of
wheat; winnowing then occupied about
half the following day.21
Since the unthreshed grain could not be
left in the fields because it
would rot or sprout, storage was
provided in the barn. The grain
18. Clinton A. Weslager, The Log Cabin
in America (New Brunswick, New Jersey,
1969), is the best general history of
log construction in the United States.
19. For log construction in Ohio, see Ohio
Log Architecture (Columbus, Ohio, 1971
and 1977) by this writer.
20. Francis M. Thompson, History of
Greenfield, Massachusetts, (Greenfield, 1904),
II, 963, quoted in Percy W. Bidwell and
John I. Falconer, History of Agriculture in the
Northern United States, 1620-1860 (New York, 1941, reprint), 122.
21. Thirteenth Annual Report,
Commissioner of Labor, 1898, Hand and Machine
Labor, (Washington, D.C., Government Printing Office, 1899),
I, 470-73.
234 OHIO HISTORY
could then be threshed as needed. The
sheaves were pitched from
the overbay to the threshing floor and
arranged in parallel lines or a
circle; then, after flailing (or
treading by oxen), the straw was
pitched into the low mow over the
stalls, and the grain was swept up
for winnowing. Winnowing was a cleaning
technique of sifting for-
eign matter from the grain with a sieve and throwing the
grain into
the air to allow a breeze to blow away
the chaff. It was tedious work
at best. When there was no wind, a
bedsheet attached to poles was
used as a fan. The threshing floor, if
wood instead of tamped earth,
had to be tightly constructed to prevent
the grain from dropping
through. There were usually two layers
of flooring, so all the joints
between floorboards would be covered.
Hollow sections of tree
trunks-most often sycamore charred by
fire on the inside-made
acceptable grain bins.
The middle bay of the three-bay barn
could be considered an effi-
cient threshing machine in which the
farmer served as the prime
mover. During the 1820s and '30s the
farmer's hand-labor was re-
duced as horses and oxen were used to
power many of the simple
grain-processing machines, such as the
"groundhog" drum thresher
and the fanning mill. The
"horse-power," or sweep (capable of 200
revolutions per minute), was often built
as a permanent feature of
the barn, either on the main floor or in
the basement of a bank
barn.22 Other simple
machines, such as the corn sheller, feed grind-
er, and forage chopper, could be run
from the horse-power, thus
anticipating the convenience of the
internal combustion engine
some fifty years later. During the 1830s
and '40s the hay press,
requiring its own source of animal
power, was often constructed as
part of the barn framing. These presses
were popular on farms along
the Ohio River where there was easy
transport to the southern
market for the 300 pound bales. By the
Civil War, a wide variety of
crop-processing equipment had evolved
and the barn was gradually
relieved of its symbiotic partnership
with the farmer.23
Threshed grain and shelled corn were
stored in bins usually
placed in lean-to sheds attached to the
exterior of the barn. These
sheds also housed the few large
implements that every farmer pos-
sessed, such as a plow, harrow, mud sled
or boat, and wagon, as well
as the myriad of hand tools.24 The
breezeway doors could be attached
22. Marvin Smith Company Catalog, Chicago,
ca. 1897, 158-61.
23. There are many books on farm tools
and implements. Original company cata-
logs and broadsides are frequently found
in libraries. Among the best contemporary
sources are the exhibit catalogs from
the various world expositions, beginning in the
mid-19th century.
24. Plates 47, 48, and 49 in the Report
of the Commissioner of Patents for the Year
The Ohio Farmstead 235
to the main barn frame or to the shed
framing. Early in the
nineteenth century, there were two
opinions on how to store hay-
whether to leave the mows open or closed
to the weather. Because
"making hay" was a slow
job-cutting, curing, and pitching on
wagons and into mows-and very dependent
upon the weather,
there was a natural inclination for
farmers to put-up slightly green
hay. Ample ventilation reduced the
chances of mold or, even worse,
spontaneous combustion. Proponents of
ventilated haymows had
won their case by mid-century. The
spaces between the logs were
seldom chinked in a log barn, so there
was good air circulation in the
mows with or without attached sheds.
Indian corn was usually not stored in
the barn, for it was easier to
build a free-standing, pole corncrib (in
the same fashion as a log
cabin, but unnotched). Once again, ample
ventilation was necessary
to prevent the husked ears from molding.
Corn was usually cut and
shocked in the field, both to allow the
ears and fodder to dry and to
clear as much land as possible to plant
winter wheat. After the
wheat was planted and the ground frozen,
the corn could be husked
and hauled to the crib without danger to
the new crop. The tedious
job of shelling by hand took place in
the barn during odd intervals in
the daily routine or when needed. Or
course, if the corn was to be fed
to livestock, shelling was not
necessary. The time-honored "husking
bee" was held when the shocks were hauled
to the barn rather than
allowed to stand in the field. The
breezeway then became the scene
of such festive occasions as those
pictured by Currier and Ives.25
From pioneer times until at least the
1840s, it was not customary
to stable any farm animals except the
most valuable, such as the
work horses or oxen, though exceptions
were made in particularly
severe weather. If a farmer could afford
the structure, the bank barn
was an excellent solution for handling
both crops and livestock. By
utilizing a hillside or creating an
earthen ramp, a barn could have
two, occasionally three, distinct work
levels. The lower level was
customarily divided into loose stalls,
box stalls, stanchions, a feed-
ing pen, and often bins for storing
vegetable roots for feeding cattle.
1856, Agriculture (Washington, D.C., 1857) picture the four walls of a
tool house
recommended for small farms. No
horse-drawn harvesting implements are shown.
Except in details of construction, the
same tools could be dated at least 100 years
earlier.
25. A good example is Eastman Johnson's
painting Husking, lithographed in large
folio by Currier and Ives in 1861.
However, in the November 18, 1837, issue of the
(Piqua) Western Courier &
Enquirer in an article entitled "Husking Party," a quilt-
ing frolic, apple-paring, and husking
party are referred to as the "customs and pas-
times of our ancestors."
236 OHIO HISTORY
For added protection and more storage
space, the upper structure
usually extended over the doors leading
into the basement, the ex-
tension being known as the
"forebay." The connected "barn lot" was
also part of the basement complex, where
livestock could be fed and
watered. The main barn floor was reached
from the side opposite the
basement doors, one level higher. This
created a problem in the lack
of a continuous passage for wagons
through the barn. On the other
hand, the storage of feed and hay
immediately above the livestock
and the warm shelter provided by the
basement were advantages. In
fact, the basement was often excessively
warm from the body heat of
the animals, and had to be ventilated
with ductwork reaching to
roof cupolas.
The large bank barn became a mark of
success for Ohio farmers
after mid-nineteenth century, though for
the average farmer the
three- or four-bay English-style barn
remained a viable form of
architecture through the century because
it was easily constructed
or remodeled to accommodate the gradual
mechanization of agricul-
ture. A good example of a double-pen
(three-bay) log barn is located
on the Piqua Historical Area's John
Johnston Farm, a state-owned
property administered by the Ohio
Historical Society.26 This barn,
the oldest documented example of its
type in the state, was con-
structed in 1808; it was enlarged with
framed sheds and had a
wooden threshing floor installed in
1826; in 1852 it was re-roofed for
a hay carrier; about 1930, the barn was
altered for a dairy operation.
Based on literary and on-site research,
the barn has been restored to
its 1826 appearance. The Johnston barn
is also the largest of its type
known in the state. The log pens measure
almost 30 feet square,
making the basic structure 90 by 30
feet; the sheds add an extra 20
feet to the perimeter. The average
double-pen barn was a third
smaller.
With the general availability and
acceptance of horse- and steam-
powered implements, which were not a
major influence on Ohio
agriculture until at least the 1850s,
barns were altered both in
function and physical appearance. The
most obvious alteration was
the heightening of roofs to gain space
for hay carriers (which in turn
increased mow capacities). Before the
Greek Revival period in
architecture, almost all roofs-barns and
houses alike-were con-
structed with about a 36 degree slope
from eave to ridge (9 inch rise
in 12 inch run). The need for increased
storage and mechanical forks
was the direct result of the mowing
machine, in itself an immediate
26. The Johnston barn is pictured in
Hutslar, Ohio Log Architecture, 44.
The Ohio Farmstead 237
by-product of the grain reaper of the
1840s. Although the reaping
machine had been proposed by various
inventors during the first
quarter of the century, it was not until
the 1830s that specific
machines were offered to the public, and
the 1840s before reliable
results could be expected.27 Quicker
harvesting meant more land
could be put in production. The physical
labor and time involved in
scything grain or hay was enormous:
reaping, binding, and shocking
an acre of wheat in 1829-30 took two men
approximately twenty
hours; sixty-five years later the same
amount of wheat could be
reaped, threshed, and sacked in about
eighteen minutes.28 The barn
had lost its function in threshing,
winnowing, and straw storage,
but had found a new role in providing
greater bin capacity for grain
and the attendant milling equipment.
Improved processing machinery, more land
in production, im-
proved livestock, better preserving and
distribution systems-each
contributed to the modification of the
barn as the nineteenth cen-
tury ended. Perhaps the barn was losing
something of its personal-
ity, its compatability with the land and
the farmer, as the machine
intruded. It is interesting to speculate
on the reasons for the decline
of the barn in Ohio. General farms, with
both crops and livestock,
have become scarce; instead, farmers
specialize in just one commod-
ity, each now requiring specific
structures. Aside from the Mennon-
ite or Amish barns, few, if any, barns
of the traditional general-use
design are being constructed. Instead,
the farmer buys prefabricated
structures designed for his needs,
whether cattle, sheep, or hog
sheds, machinery sheds, food processing
and storage buildings, or
cribs, bins, and silos. Of the wide
variety of farm buildings extant,
the barns built during the
pre-mechanization decades are the most
interesting, for, in order to survive,
they have been altered by gen-
erations of owners. Ohio barns are
indeed cultural artifacts, for in
their design, construction, and
alterations the history of agriculture
throughout the state can be read.
27. The catalog, Official
Retrospective Exhibition of the Development of Harvesting
Machinery for the Paris Exposition of
1900, by the Deering Harvester
Company,
Chicago (Paris, 1900), pictures all the
models made for the exhibit of historic reaping
and mowing machines, and is an excellent
quick reference.
28. Hand and Machine Labor, I, 470-73.
DONALD A. HUTSLAR
The Ohio Farmstead: Farm Buildings
as Cultural Artifacts
Ohio's rural landscape, though
dwindling, constitutes a signifi-
cant area of the state, some 17 million
acres, largely in the central
and western counties.1 However, Ohio's
agrarian past is still evident
in the urban centers where an occasional
farm building remains
on-site, often adapted to some
commercial use such as a dairy store
or carry-out-an ignominious end at best.
The barn, in particular, has become a
romantic symbol, another in
a long tradition of such symbols which
have become fashionable in
the United States. The cult of the barn
has become so strong that
several firms in the New England area
offer original barn frames for
conversion to dwellings; in fact, one
firm advertised newly manufac-
tured barn frames suitable for houses,
an anomaly perhaps better
interpreted by a psychiatrist than a
historian.2 Romance (defined
here as the imaginative or emotional
appeal of the heroic, adventur-
ous, remote, or idealized) has drawn
other architectural forms such
as water-powered gristmills and covered
bridges, and more recently
opera houses and log buildings, into its
camp. American printmak-
ers, such as the Currier and Ives
company, profited from a current of
romance, nostalgia, and sentiment from
the 1840s into the twen-
tieth century. Their lithographs
reflected a yearning for the "old
homestead," the rural countryside,
from which so many members of
the newly urbanized, industrialized
society had recently departed.3
Donald A. Hutslar is Curator of History,
the Ohio Historical Society.
1. Ohio Crop Reporting Service, United
States Department of Agriculture, Ohio
Agricultural Statistics, 1977 (Columbus, June, 1978), 6.
2. For professional literature on the
subject, see Mildred F. Schmertz, "Upgrading
Barns to be Inhabited by People," Architectural
Record, 115 (June, 1974), 117-22.
3. The allure of cultural artifacts
often becomes difficult to explain even in terms
of romance or nostalgia. For example,
can the present interest in Ohio canals be
classified as "roomantic hydraulic
engineering"? What are the artifacts? Canal beds,
aquaducts, and bridges have been
proposed for the National Register of Historic
Places, but the most important relics,
the original canal boats, no longer exist. A