Ohio History Journal

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BOOK REVIEWS

BOOK REVIEWS

 

 

Indian Arts in North America. By George C. Vaillant. (New

York and London, Harper & Brothers, 1939. 63p. 96pl.,

$5.00.)

This book is essentially a volume of plates illustrating the

arts of the North American Indians. Each of the ninety-six

plates is a photograph of an actual specimen from either a pre-

historic or historic Indian group. The illustrations were selected

with three factors in mind, "the tribal style, the potential interest

to a modern audience, and the susceptibility of the specimens

to photographic reproduction." Many individuals and institutions

cooperated in assembling the photographs under the general su-

pervision of Mr. Vaillant.

In the seven short chapters which accompany the plates the

author describes the racial, cultural and environmental background

of the Indian tribes whose works are illustrated. He traces the

movements of peoples from Asia to the New World and points

out that the diversity of art in North America may be attributed to

the immigration of diverse groups into various geographical areas.

He states that art reached its greatest development among seden-

tary groups who had a sufficient food supply.

In Chapter V the author discusses Indian art that was pro-

duced before contact with white men. The Eskimo excelled in

making practical objects and their ivory carvings and masks were

in a way by-products of their good craftsmanship. The North-

west Coast tribes made some stone figures. In California, bas-

ketry was the principal art. The lack of art among the plains

tribes is attributed to the fact that they were nomadic. In the

northeastern area among an agricultural people art was rather

highly developed. The art of this area is typified by the fine

Hopewell tobacco pipes made in the images of animals. The

tribes of the southeastern area surpassed all others in ceramic

(84)