Ohio History Journal

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Book Reviews

Book Reviews

 

 

Naming Names. By Victor S. Navasky. (New York: The Viking Press. 1980.

xxvi + 482p.; notes, notes on sources, index. $15.95.)

 

In an essay published in the American Historical Review in 1962, John

Higham argued for the necessity of what he called "moral history." Harking

back to a nineteenth-century style of historical scholarship, Higham stated

that an exploration of the moral aspects of historical events was both neces-

sary and valid, if done with "tentativeness and humility, with a minimum

of self-righteousness, and with a willingness to meet the past on equal

terms." Regrettably, in the furor of the late sixties and early seventies over

"New Left" history and "cliometrics," few historians heeded Higham's

admonition, and moral history has remained chiefly a subject for biog-

raphers, most of them not professional historians. Naively unaware of re-

cent trends in modes of scholarship, journalist Victor Navasky has produced

an outstanding example of exactly the type of history Higham called for.

The author uses the role of informer in Hollywood to examine a dark aspect

of Cold War America. Why did some people "name names" before HUAC,

while others, often at great personal cost, refused to cooperate? How did

organizations and institutions respond to the Committee, and what were

the consequences, for both individuals and society, of this anticommunist

purge? Unlike some other students of the Cold War era, Navasky explores

these issues with subtlety and fairness, yet without flinching from neces-

sary moral judgments.

Navasky lays the groundwork by discussing different types of informers,

the ambiguous response of organizations like the American Civil Liberties

Union and Americans for Democratic Action to HUAC, and the develop-

ment of the"blacklist" in Hollywood. He then focuses on the informers,

asking why "so many people failed to follow their better instincts." Navasky

finds part of the answer in the "collaborators"-especially a Hollywood

lawyer who represented many informers and a therapist who treated many

of them. There were also "guilty bystanders," such as the Screen Actors

Guild and the establishment press, who failed to aid the blacklisted or

criticize the Committee. But he is more interested in analyzing the reasons

for informing given by the informers themselves. After allowing people like

Elia Kazan to forcefully state their own case, Navasky considers the valid-

ity of their arguments and finds them often weak. The claim, for example,

that mitigating circumstances "forced" individuals to cooperate is shaky,

because many of those who refused to testify suffered under similar con-

straints. The informers took part in "degradation ceremonies" designed to

stigmatize former Communists, and Navasky through extensive interviews

traces the wreckage of lost careers and devastated personal lives inflicted

upon those named by HUAC witnesses, and the spirit of fear and betrayal

engendered by the hunt for "reds."

In the last section of the book, "Lessons," Navasky lifts his analysis to

magisterial heights, sensitively exploring such issues as "the question of

forgiveness" for the informers, using as a vehicle an extended correspond-